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Thursday, April 29, 2010

Happy Birthday, Mr. President

Been doing a lot of ink washes lately. This one and many of the posts following are some of the washes. I've been pulling stills from scratchy videos posted on youtube. Here's Marilyn

women drawings















Vivien Leigh, at the moment of a camera's flash, accepting her Oscar for her role in Gone With the Wind.















Judy Garland, right before her last performance.

Letters to a Young Artist

I love this book, put out by Art on Paper.


"A lot of the stuff I learned about art and being an artist did not come from visual artists; it came from writers like Keats (in his letters) and composers like Ned Rorem (in his diaries) and oudoorsmen like Ray Bergman (who wrote about fly fishing for trout). So read as much as you can and get into the thick of life whenever you can -- learn a foreign language, learn things about other people, go places and do things that have nothing to do with art -- because it's the stuff that has nothing to do with art that has everything to do with art."
-Joseph Grigely

And, a few pump-up words of advice from Xu Bing:

"I have always thought that to be an artist, the first thing you must do is clarify what art is and what its principles are. Specifically speaking, you must identify what an artist does in this world and what relationship exists between yourself, society, and culture. And even more specifically, you must determine your particular commutative relationship with society...

Everyone has strengths and limitation. Those who know how to work also understand that whatever limitations they meet can be transformed into things that are useful to them. Using a limitation well transforms it into a strength. Wherever you live, you will face that place's problems. If you have problems then you have art. Your plight and your problems are actually the source of your artistic creation. The majority of young artists who come to New York to develop their careers are eaer to enter the mainstream. But, they have to spend time working other jobs to supposrt their costs of living here. It may seem like you are wasting time that could be used for creating art, but you needn't actually worry about this too much. As long as you are a true artist every field that you are engaged in outside of art circles -- living and working -- will produce treasure, which sooner or later will be used in the creation of your art. It is not important to plunge headlong into this mainstream system. "

Wednesday, April 28, 2010

The Ginger Years

The beginning of a collaboration between Joanna and I. Carrot Top meets a new top.

Wednesday, April 21, 2010

Rauschenbergian

I work every day and I never know what I'm doing...If you know something you have a responsibility...I don't think any honest artist sets out to make art. You love art. You live art. You are art. You do art. But you're just doing something. You're doing what no one can stop you from doing. And so, it doesn't have to be art and that is your life. But you also can't make life and so there's something in between there because you flirt with the idea that it is art. The definition of art would have to be about how much use you can make of it. - Rauschenberg

Tuesday, April 6, 2010

Sleep of Reason


A drawing done by looking at and attempting to draw Goya's Sleep of Reason etching. I white-out imperfect or inaccurate lines, doing this again and again till the white up builds up and I can't draw over top of it anymore...

I reflected that all things happen to oneself, and happen precisely, precisely now. Century follows century, yet events occur only in the present; countless men in the air, on the land and sea, yet everything that truly happens, happens to me. – Borges, Garden of Forking Paths.


Abstracted still from Roman Holiday. Here Audrey is looking through the trees at some distant lights.

Paparazzi videos

















Watercolors drawn from youtube videos of celebs being followed by the paparazzi. I pause the paparazzi videos whenever there is a camera flash -- which would both illuminate and obliterate the figures. The first watercolor is Naomi Campbell (at the left). The second is Lindsay Lohan